“Don’t use the phone.
People are never ready to answer it.
“Don’t use the phone.
People are never ready to answer it.
|“…and everything is going to the beat – It’s the beat generation, it be-at, it’s the beat to keep, it’s the beat of the heart, it’s being beat and down in the world and like oldtime lowdown and like in ancient civilizations the slave boatmen rowing galleys to a beat and servants spinning pottery to a beat…”|
Jack Kerouac quotes (American Poet and Novelist. Leader and spokesman of the Beat movement. 1922–1969)
Jack Kerouac would have turned 91 on March 12. Even though he died in 1969, Kerouac’s influence on American literature is still felt today.
“Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.”
― Jack Kerouac, On the Road
with Rex Weiner & Michael C Ford
Produced by Eve Brandstein
CONTACT: Nancy Fulton
(424) 270 9004
“Here’s to the misfits, rebels, trouble-makers. The ones who see things differently. They’re not fond of rules, and they have no respect for the status-quo. Quote them, disagree with them, glorify, or vilify them. You can’t ignore them. They change things, push the human race forward. Some may see them as crazy, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.”
“I like too many things and get all confused and hung-up
running from one falling star to another til I drop.”
“The people tonight were really amazing. It was an alive needed vital evening of poems and entertainment.
Jill Jarrett was sensational with her camera, as a photographer she captures the whole scene beautifully.
First let me say
all the touches, the saxophone player in the beginning
the trumpet the voice over,
it keeps coming more and more alive.
Michael C Ford and Rex Weiner kept the ball rolling as MC’s
with the provoking witty dialog and setting the pace.
This show is alive in the now
and no one is doing anything like this.
This is so much fun to be involved with.
Everyone should see it many times.
S.A. Griffin as Laurence Ferlinghetti was sensational, fun & marvelous.
Always an interesting intriguing performer
full of energy
he knows how to move and play to a receptive crowd.
Eve Brandstein was sexy, funny,
her poems by Diane DiPrima were very sensual and they rolled
off her tongue
like her delivery of the “Kisses” poem.
She had me from the start.
Kenneth Patchen’s poem as usual delivered by our friend Herbert T. Schmidt, Jr.
moved everyone in the house.
He read it from the heart and with great conviction
waited for the response of people
and built a tension in the air
What a great timeless sincere poem
If we all could live that poem
the world might be different
Susan Hayden as Bobbie Louise Hawkins was charmer a sweet and lovely being.
She infused her poem wit, compassion and love,
it got to me.
She allowed the rhythm of the evening to flow.
Elkanah Burns as poet Frank O’Hara was right on the money, delivering his thoughtful poem with tenderness and heart as Frank O’Hara would’ve himself, it seemed like he was there last night.
Lisa K. Thayer’s Ann Waldman was a killer.
The way she moves her body
the way she makes the poems live.
Lisa is entertaining, funny, poignant, and uses visual textures,
showing us that the poem is an experience,
a living breathing thing.
John Difusco as poet Lew Welch was mesmerizing and John Densmore playing bongos for him was a wonderful, fun,
John Densmore from The Doors, was so into his character, and the choice of poems and the way he read them as poet Gary Snyder, captured me and made me smile.
He spoke them in such a simple a manner,
he made them seem easy. He brought a sense of fun and a beat to the evening and has a humility that none of my drummer friends or partners ever had most of the time.
I like him more and more every time I see him perform.
The way he cares about getting it right the way he focuses on what he will say and takes it on as a responsibility and still has fun with it.
Doug Knott as Bukowski brought the house down. He has so alive and becomes Charles B. and takes you on ride.
He is great, funny and I can relate to his weakness
and his appeal his attraction and why Bukowski
still lives stronger in death
perhaps than in life.
Eric Trules blew me away as Allen Ginsberg and got everyone going.
He has a great sound a wonderful voice
like a Rabbi or an evangelist with depth.
he cracked the stillness open
with his sense of timing and getting the audience to participate.
He really gets into the Ginsberg mold and I believe he channeled Alan G.
for a few moments.
Theida Salazar as Bob Kaufman, was amazing.
The poem which he chanted from memory says so much. He was a wonderful addition.
Bill Duke as Leroi Jones was a powerful presence.
That large beautiful frame
his demeanor that can frighten you speaks the lines
in such a caressing a manner,
in the moment of expectation brings a soft tone and gradually builds the poem
so you can experience every word. Bill Duke taught me last night
you do not always have to shout these poems
they shout themselves
they sing their own music.
He rises and the fever expands by the end of his words
he has crept into you in a subtle way. Bill gets himself out of the way and lets the words come alive within him. At least that is how I experienced it.
It was wonderful and this evening at many points lets people into the play
involves and engages the audience and maybe it could even go more in this direction.
I only know this show was one of the best I have ever been to and I love these poets and the people inhabiting them.
It is an experience of collaboration and community and brings people together in an important and vital way.”
L. K. Thayer adds…
“Stephen Kalinich is a brilliant poet in his own right, who takes care with wit and reverence to every word
Jack Michelin wrote and delivers it with humor and grace, touching the audience with his soul and the soul of the poet.
The sold out crowd in the loft art gallery said it all. People are hungry for this experience and the words of these beat poets that are timely, especially now. Their words and passion ring true and will live on through this one-of-a-kind show
“ORLANDO BLUE: 31st Chorus”
O Gary Snyder
we work in many ways
In Montreal I suffered tile
In Additional Christmas
In old crow Hotels
full of blue babes
in pink dressinggowns
But O Gary Snyder
where’d you go,
What I meant was
there you go
In Montreal I worked a manied-way
And better than Old Post
I learned to appreciate
in many ways
It looks like Oct 16th is shaping up to be a date for poetic remembrances of literary hero’s. In Nashville on the 16th will be A Night to Remember Jim Morrison In Poetry, Film & Song. Now we have a John Densmore produced (along with Michael C Ford, Eve Brandstein, and Rex Weiner) play, Waiting for Jack.
Waiting For Jack is described as a rough recreation of the famous Gallery Six Reading in 1955 in which Allen Ginsberg first read Howl. The original reading wasn’t a staid polite poetry reading given to sipping tea, maybe smoking of tea*. It was a raucous affair with jugs of wine being passed around with Kerouac exhorting the poets from the audience much as a Jazz fan would encourage a solo.
In Waiting For Jack, John Densmore plays Gary Snyder, and along with the poetry Densmore plays the bongo’s. The play is the brainchild of Rex Weiner and Michael C. Ford and seeks not a literal reenactment of the Gallery Six reading or the poets that were there, but seeks the spirit of the night. The play recreates the raucous atmosphere of the original Gallery Six reading with off stage commentators adding punctuating remarks to the poetry in the form of heckling, flirting, bickering much like a Greek chorus or perhaps a beat “Our Town.”
The 90 minute play also features Eric Trules as Allen Ginsberg, Doug Knott as Charles Bukowski, Eve Brandstein as Diane DiPrima, and a whole host of others who on any given night of the performance may participate. Waiting For Jack has previously been performed in August of this year for a three night stand at The Short Stop Bar in Echo Park. You can see photos of the performance on their website. Producer Rex Weiner is hoping in the future to find the show a permanent residence so the show can be held regularly. Early next year they will take the show to college campuses around the country.
Waiting For Jack is a one night only affair Oct 16th, 2010 at 7 PM, $7.00 donation at the door. It will be presented at Tom Landau’s Studio 1520, 1520 2nd St., Santa Monica, CA, 90403.
*At the time tea was the euphemism for marijuana.
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