Ms. Thayer also appears in the highly acclaimed “Waiting For Jack” a poetry theater event produced by Eve Brandstein, Rex Weiner, Michael C. Ford and John Densmore and presented by Tom Landau’s STUDIO 1520. Lisa will be reading “Ann Waldman’s” poems.
The Los Angeles Poetry Examiner literally ran into Ms Thayer in the crossfire of Internet Poetry Networking, yet another topic we’ll cover in the coming weeks. I thought it necessary to ask the Lovely Lisa a few questions for Examiner…
You are listed with the poets that used to read back in the day with Poetry In Motion, what do think about, that after all these years, the poets are still having at it?
Great. We only get juicier as we age with our own experience. I’m glad that they are still writing, sometimes it is a matter of life and death, like breathing. It means ‘their creative force is alive and they are listening to it. It’s a beating heart.
How long have you been writing and sharing your poetry?
I started out as a singer/songwriter (I’ll give you a CD)…for 2 years I just heard melodies and words just fell out, it was really a purging of emotion that I expressed in lyric form, which to me is the same as poetry. Then I didn’t write for a long time until I started studying regularly with Jack Grapes, an amazing teacher in LA. He has inspired me to go into the deep voice and get to the good stuff, so about, jeeze, all in all about 5 yrs. only, 2 1/2 I think with Jack.
Which writers or poets helped shaped your own voice in terms of poetic style, and which influenced you the most?
Anne Sexton speaks to me the most, with her freedom, madness and no holds barred style, she’s so brave and uncensored. Bukowski of course, Pablo Neruda lately, he’s so romantic and passionate…so many. I’m not really a reader, but I like short poems and can really get a poets style and voice when I study them, I’m an actor, that’s probably why, I have a good ear and am sensitive to where someone is coming from. I love “Bill” Shakespeare, Tennessee Williams, actually, too many poets to name here!!
Where did you grow up, does this have a big influence on your poetry?
I really “grew up” in LA. I’ve lived here over 30yrs. I was born in Fargo, N. Dakota, yes! And was raised outside of Mpls. Minn. where I first got into theatre as a kid. I think the Midwest is a very soulful, honest place to be from, your words really mean something, you don’t just say something to say it, your word is valued more, like gold, really. I was raised on a lake every summer, my grandparents owned a home on Detroit Lakes, where my mother still lives. I always had a good imagination.
Tell me about L.K. Thayer’s Poetry Juice Bar, how long have you been running it and what made you start The Juice Bar?
Well, it’s funny, “The Juice Bar” is the first named that popped into my head, having to do I guess with “creative juices”…I started out with just my own poetry, I needed somewhere to put it, along with my nephew VC Ferry’s genius photographic images, i wanted to promote him, I still do. Then I invited other people’s work from Jack Grapes class & have recently gotten bit by the foto bug myself (I also created L. K. Thayer’s Foto Fetish) and that was a year and 80,000 hits ago. I call them “Guest Squeezes.” Things just keep getting juicier! We all do… like good wine!
“Praises From a Tenor Sax”
like salt on a bloodsucker
paralyzed fits of punishing
with the sell-out
the down and out
muck and mire choir
praises from a tenor sax
and a song
you can’t let go of
fill the loving cup
and drink it dry
try to stay away
but you can’t fight
of the taffy
you get stuck in the
and you wanna
– by L. K. Thayer
L. K. Thayer’s Poetry Juice Bar
L. K. Thayer’s Foto Fetish